Friday, June 16, 2017
Eugeology: Eugene's List of Hard Rock Albums and Possible Gems Part 20 - Joe Satriani 'Surfing with the Alien'
I purposely followed up with this particular album. It was another guitar instrumental album (Yngwie’s is mostly instrumental, so knock it off ya nitpickers) from the 1980s.
I was aware of Joe Satriani because I had his ‘Not of this Earth’ before the leaps ahead ‘Surfing with the Alien’ album. Since I heard that quite a few of the guitarists that I liked were actually taught by Satriani, I wanted to hear him for myself.
When ‘Surfing’ came out I was floored. And that wasn’t the reaction that I had with the previous release. So you can definitely say that Satriani didn’t suffer from the “sophomore slump”. And sadly, no other releases quite reached the heights for me personally.
I got to see Satriani touring for ‘Surfing’ in Raleigh at the Rialto Theatre WITH Stu Hamm on bass. Hamm is an AMAZING bass player. I’ve also seen Satriani at a G3 show a few years ago with Steve Vai and Yngwie Malmsteen. That was an amazing show as well.
But I digress…
‘Surfing with the Alien’ has the subtlety and finesse that ‘Yngwie Malmsteen’s Rising Force’ lacks. Satriani isn’t flash. He strives to give the melody meaning and feeling whereas Malmsteen seems more concerned with how many notes he can get into a measure. But when the gear needs to be kicked into flash, Satriani has more than capable fingers.
This is a great album for guitarists and it’s a good album for non-musicians looking for something to mingle into the background that may perk up an ear or two. I’ve personally seen the album spark good conversation about guitarists.
I’m still keeping up with Satch now that he’s a member of Chickenfoot.
‘Surfing with the Alien’ is a must have for ANYONE. Yes. Anyone. Short and sweet. You must have.
Tuesday, May 23, 2017
Eugeology: Eugene's List of Hard Rock Albums and Possible Gems Part 19 - Yngwie J. Malmsteen's 'Rising Force'
For one thing, it influenced a schload of imitators. But it wasn’t just the style of playing, it was also the idea of putting out instrumental hard rock albums.
Yeah, I know… Jeff Scott Soto is singing on this joker… But it’s true. There were a lot of guitarists that followed his, pardon the pun, lead. Alex Masi, Steve Vai, Tony MacAlpine, and Joe Satriani.
Randy Rhoads initially stuck the classical music key in the ignition of hard rock in the early 1980s, but Yngwie provided the engine. And that engine roared loudly with me.
There are moments of beautiful melodies. There are moments of incredible, over-the-top flashing fingers on the fretboard with some tremolo bending of the notes. And there are times where the riffs just rock your face off.
Granted, lyrically, the message gets lost in the translation to English. They sound simple and undeserving of the music bubbling underneath.
But the album flat out shreds. And if you’ve ever seen Mr. Malmsteen, then you know just how good he is.
Unfortunately, his ego got the best of him along with going against what he was best at… instrumentals. The more songs he had with singers, the less I paid attention to him.
Back to his ego… I saw him open up for AC/DC at the Greensboro Coliseum in November of 1985. During his guitar solo, he picked out a part of the Eddie Van Halen song “Eruption” and incorporated it within his solo. He was doing with one hand that Eddie does with two. The ears of the crowd perked up and cheered loudly hearing part of “Eruption”. And that’s when Yngwie mimicked yawning with pats on the mouth with his free right hand. The crowd turned on him with loud boos.
So you see… Yngwie Malmsteen was his worst enemy. But he left us with one great album and ‘Rising Force’ is it.
‘Marching Out’ has it’s moments, but Malmsteen never caught the lightning in the bottle again.
“Far Beyond The Sun” and “Black Star” are still concert staples.
I saw him last on a G3 Tour with Satriani and Vai. It was incredible. Magic was made when all three guitarists jammed together at the end of the show.
I just remember a lot of guitarists mimicking his style AND tossing the guitar over the shoulder and around the back. Malmsteen is a guitar maestro and this is the ONE album you need in your collection if you are an admirer of guitar heroes.
Monday, May 22, 2017
‘Foghat Live’ was the first album that I ever owned by Foghat. I had heard “Slow Ride” and “Fool for the City”, but I had never cared enough to purchase any of their albums. My funds were limited to KISS records at the time.
I can’t remember, but I came into possession of ‘Foghat Live’ on cassette. I think it was given to me when I purchased a second hand boom box in the early 1980s. Anyways… I thought it was a great album and it really opened my eyes to Foghat. I thought they kicked ass! And from that point on, I started acquiring Foghat albums. I even have a Foghat belt buckle packed away somewhere.
I’m not sure how overdubbed this album is, but I don’t care. It sounds like pure ass kickin’ to me. The album reeks with energy and the loud distorted guitars that I crave.
There’s only six songs on that bad boy. The two hits, a classic cover (2 actually, but everyone knows the Willie Dixon tune), and three tunes that you may not know.
Tim did notice the little “slow down” in “Slow Ride”. That has been there for as long as I have been listening to the album. It has become an accepted occurrence that doesn’t manage to drive me crazy. It’s just an anomaly that has become something that I ignore like Grandparents day. Ya know?
My personal favorite from the album is their cover of Willie Dixon’s “I Just Want To Make Love To You”. The studio version from Foghat is good, but this live version really kicks it into overdrive.
I love the slide guitars and at times the vocalist sounds like he’s about to crap his pants. Although I’ve never seen Foghat, I’ve always felt that they MUST have been a great live act that had to be seen for full appreciation.
Since I have replaced my beloved Zune with Spotify, it’s still easy to hear new albums. And Foghat released on just last year called ‘Under the Influence’. It’s a very good album!
Yeah, I was surprised too!
But ‘Foghat Live’ is one of those albums that should absolutely be in your collection. It should be taken out at least once a year and played loud.
I’ve owned it on cassette, vinyl, and I recently purchased the CD from Walmart when I stumbled across it in the $5 dump bin.
And in my opinion, it was $5 well spent!
Wednesday, May 17, 2017
Eugeology: Eugene's List of Hard Rock Albums and Possible Gems Part 17 - King Kobra 'Ready to Strike'
I’ve had the pleasure of seeing him perform with Ozzy, Ted, and Blue Murder. I’ve seen him play in arenas. I’ve seen him with Blue Murder at the old Baity’s Music Garden in Winston-Salem with John Sykes (a geeky hard rocker’s wet dream).
He’s a power drummer plain and simple. Since I know nothing about drums, I’m going by what I hear and what I appreciate. The guy is a solid drummer with a big fat sound able to perk the ears of hard ass authorities in the next county.
I have no doubt that he’s doing things that make drummers take note. He wouldn’t be so revered by the legions of drummers out there if he weren’t all that good.
King Kobra’s ‘Ready To Strike’ was handed to me in the form of a cassette tape by Jeff Baker. All he said was, “Check this out.”
I did and I was floored. The vocalist breathed life into ever lyric. The drums and bass work of Johnny Rod provide a loud pulse for the “Frankenstein” of a band assembled by Appice.
‘Ready to Strike’ follows the same blueprint of Starz’s ‘Attention Shoppers’. It’s a power pop album with screaming guitars. Lyrically, the album pulsates with hard rock attitudes and yet features a lot of pop lyric sensibilities. And there’s even two songs written by a previously featured band, Kick Axe. Those are “Hunger” and “Piece of the Rock”.
‘Ready to Strike’ was produced by Spencer Proffer and Carmen Appice. Proffer provided Billy Thorpe with his fifteen minutes of fame with “Children of the Sun” that was found on AOR airwaves during the late 1970s and late 1980s. Proffer had the “Midas touch” with Quiet Riot, but failed with King Kobra and Kick Axe.
And in my opinion, that’s a damn shame… Quiet Riot just caught onto something without actually having merit. Let’s face it… They were basically a Slade tribute band. But I always found Proffer’s production skills quite excellent.
I hold the first King Kobra’s album right up with the ‘Vices’ from Kick Axe.
‘Ready to Strike’ is an ass-kicking hard-rocking power pop album that certainly timestamps 1985. But it also shows you the good underbelly side of the “hair metal” scene that was dominating the landscape of hard rock. King Kobra were one of the really good bands that gave the genre a good name back then, but unfortunately went unnoticed.
Stand outs on the album are… “Ready to Strike”, “Hunger”, “Shadow Rider”, “Breakin’ Out”, “Tough Guys”, “Second Thoughts”, and my favorite moody little number called “Dancing with Desire”.
If you’re a fan of the 1980s genre of hard rock, I hope that you give this album a spin.
Check out what Tim and Jon had to write about the same album.
Tuesday, May 16, 2017
Eugeology: Eugene's List of Hard Rock Albums and Possible Gems Part 16 - Alice Cooper 'Special Forces'
I knew that I would face a little bewilderment over Alice Cooper’s ‘Special Forces’. And I’m not sure why it’s one of my favorites from him.
The drums are out front in the mix providing the engine for this musical bus driven by the boozed and blitzed Alice. The guitars take a quieter seat near the rear wheels. The keyboards are riding in seat right behind the driver. And there’s no denying that the bus is on the New Wave Highway.
Unlike most of his rock n’ roll counterparts in the late 1970s, Alice didn’t follow the disco path. “New Wave” was making some ripples and something caught his ear. It was the perfect outlet for another “version” of Alice. He could tell his brand of twisted stories with a splash of “punk”.
‘Flush the Fashion’ is a classic, but it was slightly edged out by ‘Special Forces’ with its lighthearted and comedic word play. “Skeletons in the Closet” contains great lines like “I see bones, I see bones, Icy bones…” that can easily be brought to life by the showman that Alice is. “Prettiest Cop on the Block”, “Don’t Talk Old to Me”, “You Want it, You Got it”, “You Look Good in Rags”, “You’re a Movie”, and “Vicious Rumors” are all capable of providing Alice some great roles to play on the stage.
As odd as ‘Special Forces’ is as an album, it shows a certain disregard for rules. If KISS can make some kick ass disco, then by-golly, Alice Cooper can make a kick ass new wave album. The guitars are there rumbling underneath and rocking. The synthesizers are rocking just as hard. The lyrics to almost every song provide a chuckle or two.
And there’s a great cover of Love’s “Seven & Seven Is” along with an update of “Generation Landslide”.
‘Special Forces’ has many things to show you. And it may take more than one listen for total life change to occur.
Great lyrics include these…
“I’ve done some things I really can’t describe… I’ve made some mouths open pretty wide”
“God told me that I would have rivaled… Alexander the Great at his best”
“You want Chateau Greon for breakfast every day… Okay… You want some Spanish lover to lay in bed all day… Ole’”
“I like to flex my arms in the neon light”
“Forget about Vogue, or them hundred dollar jeans you make a two dollar t-shirt obscene”
Bob Dylan has called Alice Cooper “an overlooked songwriter”. And he was right!
‘Special Forces’ is fun. And it’s a great hard rock/new wave album. Lyrically, it’s a work of art for any English teacher.
I believe that Tim and Jon will revisit the album one day to find that it’s really not a strange choice. And I highly recommend watching this concert on YouTube.
And even though Alice Cooper doesn’t remember this particular phase of his career, I adore all four of those albums… ‘Flush the Fashion’, ‘Special Forces’, ‘Zipper Catches Skin’, and ‘Dada’. The songs all tell memorable stories AND there’s even a Christmas song in the mix called “No Man’s Land”.
Here is Tim's take and here is Jon's Take for comparison.